The series 17 18 19 is drawn from a bag of negative film salvaged from a recycling plant on the outskirts of Beijing in 2010. The bag contained an archive of over 15,000 scratched black and white negatives, shot at one of the city’s detention centers between 1991 and 1993. Pocket knives, screwdrivers, shovels, stolen cash, clothing, jewelry and home electronics are placed before the camera ; the photographs clearly present evidence and mugshots of the accused, but they are entirely cut off from any further information. They have survived only as inverted images, trapped on film.
Presented here in their original form as negatives, the camera behaves as an X-ray machine the objects glow in a grey void, creating daunting still lifes of an unexpected kind. Unsettling and beautiful in equal measure, every item these people have left behind, whether a weapon or an object of desire, is preserved like an artifact, a fossil for our examination. The evidence if often displayed alongside a referential three-centimeter ruler where the numbers 17, 18, and 19 appear. Albeit utilitatian in function and form, the negatives, objects of the passage of time, distance us from the unidentified hors-champ events to which they bear witness. Slowly, compassion, emerging from personal memory, can begin to replace judgment.
“The visual and social sensitivity of the author offers remarkable, poetically presented testament of human destinies, archival significance and social contemplation.” — Prof. Slobodan Dan Peich, Comparative Cultural Studies, History of Art and Ideas.
STANDARD EDITION
Published by VOID in a first edition of 750 copies
15 x 20,5 cm / 224 pages
Hardcover
Printed with silver ink on black paper
Publication date: November 2019
Design by João Linneu / Text by Holly Roussell (English & Chinese)
Printed by Mas Matbaa, Istanbul
ISBN: 978-618-84341-4-1
Signed
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